This is the fifth part in a series in which I’m learning to use fountain pens. For the previous installments, click here.
Chalk it up to a bad experience, but I really had no desire to pick up a new fountain pen after putting down my Lamy Safari a few months ago. I’d already purchased a pen – a TWSBI Eco – but I couldn’t bring myself to ink it up. So I decided to let it sit, shrink-wrapped on my desk, for about a month. When curiosity finally drove me to break open the packaging, I realized pretty quickly that my experience with fountain pens was about to change for the better.
Just to look at it, it’s obvious that the Eco is one of the coolest pens I own. In the lingo of the fountain pen world, it’s referred to as a demonstrator pen, a style that indicates a clear-bodied pen that makes all the inner workings visible. Filled with a dark red ink, “Rouge Hematite” by J. Herbin, it’s neat to watch the fluid slosh around the pen’s innards and move through the feed toward the nib. It’s certainly eye-catching. In fact, a co-worker of mine recently mistook the Eco for an e-cigarette and erroneously scolded me for picking up the habit of smoking.
In addition to its looks, I’m very happy with the way the Eco writes. Various nib styles are available, but I decided to blindly go with a stub nib. Luckily, this turned out to be a great choice, as it seems to give a professionally stylized character to my print handwriting. This has everything to do with the shape of the nib, which looks to my eye like a narrower, rounded-off italic nib. This gives it a vertical/horizontal line variation that is a lot more subtle than what you get from a calligraphy pen.
It’s worth noting, too, that the Eco’s piston filling mechanism holds a lot of ink. A piston mechanism, I’ve learned, works almost exactly like a cartridge converter; simply dip the nib into a bottle of ink, then twist the end to suck the ink up into the reservoir. There’s really only one difference between the two filling systems: instead of the a cartridge being housed inside the pen, the pen’s barrel is the ink cartridge. Yes, I have some anxiety about the pen coming apart and ink spilling everywhere, but it’s something which – knock on wood – hasn’t happened yet.
I’m happy to report that the Eco is the first fountain pen I’ve found myself coming back to again and again. I’ve even considered buying a second one with black trim that I’d fill with a black ink to match, but that’s a little ways down the road. For now, I’m excited again about trying another new fountain pen.
In other news…
Shortly after writing about the Zebra V-301, the fountain pen that barely worked, I received an email from one of Zebra’s product managers. The V-301’s design was in the process of being updated, and I was asked if Zebra could send me one to try out. I agreed, and a few months later, the new V-301 arrived in my mailbox.
On first inspection, the new V-301 looks practically identical to the older model. Take off the cap, however, and it’s easy to tell that the nib has gone through a bit of an update. A shroud now covers the nib and feed section, and it’s likely that there are more changes underneath. Whatever the case, I can say that the V-301 now works a lot better. The new model writes much more consistently (and right side-up), and the ink flow has been reduced. I’ve also noticed that the cap of the new model posts a lot more securely than the old one did.
It’s still not a particularly smooth fountain pen, and I think the clip could use some beefing up. But for a fountain pen under $5, it’s not bad. At the very least, I’m happy that Zebra listened to their customers and made improvements.