Notes on XOXO 2016 Field Notes

img_5912

Every year, the halls of the XOXO Festival – an art and technology conference out of Portland, Oregon –  have been complimented by an exclusive edition of Field Notes pocket-notebooks. In 2015, the conference engaged artist Brendan Monroe to create artwork that adorned the notebooks’ covers, which was a very good decision (it just so happens that the XOXO 2015 Field Notes are one of my favorite editions). So for the XOXO 2016 notebooks, I was happy to see that another artist was again involved, and the resulting designs can justly be described as an explosion of orange and pink.

This marbled/tie-dye cover-art was created by Mark Weaver, a designer and illustrator based out of New York, and from what I’ve seen on his website and Flickr account, he has an artistic style that might be described as ‘funky modern.’ For the XOXO 2016 notebooks, he created artwork that is bright, trippy, eye-catching, and generally just pretty cool. Inside the books, 60# white paper is ruled with bright-orange grid-lines, a color that I’ve found looks particularly good behind bright-blue ink.

img_6155

This edition is another win for XOXO, but I hate to talk these notebooks up too much, as they are difficult to find. Attendees of the XOXO conference were easily able to get a 3-pack, but I was able to get mine a few weeks later when extras were made available on the Field Notes website. They sold out quickly, however, and the best bet on finding a set now is through eBay where they will likely be overpriced (though it looks like they might still have some available at their Chicago home base).

So, good luck to you if you’re on the hunt for this Field Notes edition. They are, after all, probably one of the better things to come out of 2016.

img_6154

Additional Notes

Review: RNG Products SQ1, Pressurized Ballpoint, Fine Point

img_6139

Back in August 2016, the SQ1 by RNG (Rise-N-Grind) Products was successfully funded on Kickstarter to the relatively modest tune of $10,299. To be fair, at $25 per pen, it’s probably one of the least expensive Kickstarter pens I own, yet it’s still a pen that I happen to like. And, frankly, there’s a lot to like about the SQ1, not least of which is the “shipwrecked copper” cap.

Though other color options/combinations were made available through the Kickstarter campaign, I chose these weathered ends against an anodized blue barrel. It’s one of the coolest-looking pens I own, and it’s a killer piece for the pen holder on my desk. It’s pleasant to write with too; the grip section is patterned with divots that add a nice visual and practical touch. It’s comfortable to hold, and the included Fisher Space Pen refill is always a great choice.

img_6141

Since the SQ1 is made from CNC-machined aluminum, making it durable and slender, it’s tempting to think of it as an “everyday carry” pen – it is, in fact, advertised as such. However, I think this classification is a mistake. For one thing, the cap screws on and off, requiring four full, squeaky rotations. Though there is threading at the top of the pen that allows for posting, it’s still a little tedious – tedious enough, anyway, that you wont want to be using the SQ1 for taking short, frequent notes.

Additionally, the SQ1 has no clip, a trait that has caused me trouble in the past. If you wish to take this pen out into the world, you must be very mindful of it, lest is roll off a table or fly out of a pocket. Instead, this is a pen that would be good for taking long notes during a lecture or meeting. It can bang around a bag without trouble, yet still be fashionable and functional when it’s time to sit down and write.

img_6140

Extra Links

Review: Retro 51 Hex-o-matic, Ballpoint, Medium

img_6129

Put them side-by-side, and the Retro 51 Hex-o-matic looks a lot like an ‘everyday carry‘ version of the Retro 51 Tornado. But really, aside from the knurled-metal end, the two pens share little similarity. The Hex-o-matic is thin, clickable, and durable. It has a matted, hexagonal body with a round, knurled grip, and it has an overall shape that is reminiscent of a syringe. Its metal construction gives it a nice bit of weight, and, like almost everything Retro 51 produces, I like it a lot.

One of the more remarkable aspects of the Hex-o-matic is actually its packaging. It is fairly intricate, as if it were designed by an origami expert, which makes for a great first impression. But unlike the Tornado’s packaging, which doubles as a pen holder, this elaborately-folded cardboard tube is ultimately useless. I’ll soon be tossing it in the recycling bin as I wonder, “how much did this packaging add to the cost of the pen?”

hex-o-matic-packaging

The Hex-o-matic comes loaded with a Schmidt Easy Flow 9000 ballpoint refill, which is the same refill used by the Retro 51 Slim Tornado. It’s definitely good; much smoother and darker than a typical ballpoint, though it smears more than it ought. However, since it is a pen that seems built for ‘on-the-go’ usage, I really wish it came with a pressurized ink refill, such as the one that comes with the Fisher Space Pen. Unfortunately, that particularly refill doesn’t quite fit, at least without modification.

At $28, the Hex-0-matic feels a little expensive, especially when a decent metal pen like the Pentel Energel Alloy RT is under $10. But now having used the Hex-0-matic a while, I find it competing for pocket space against the Everyman Grafton, a favorite of mine (that costs even a little bit more money). So if you want a nice, durable pen to throw in your pocket as you run daily errands, this pen is a very good choice.

img_6135

Extra Links

Looking Ahead to 2017

Although 2016 may not have been the worst year, a lot of people were nevertheless happy to see it end last week.  But for Pens and Junk, at least, the year was pretty good. I’ve been able to keep up with posting at a weekly pace, and all said and done, average monthly views jumped from 1,650 in 2015 to 4,345 in 2016. Not too bad, I think.

new-year-2017-png-12

Over the last year, I’ve written more than 30 pen reviews. Some of these pens have been good and some have been bad, but the most popular review on the blog, as well as my 2016 Pen of the Year, was undoubtedly the Grafton by Everyman.  It’s one of the very few pens I’ve actually run dry.

The overall most popular post of 2016, however, was my review for Aaron Draplin’s book, Pretty Much Everything. Though, I’m also happy to have read and written reviews for Paper by Mark Kurlansky and The History and Uncertain Future of Handwriting by Anne Trubek. I plan on writing at least a couple more book reviews this upcoming year, so if you have any suggestions, drop me a line.

img_6108

In 2017, you can also expect more posts about Field Notes and Retro 51 Tornado pens – I haven’t grown tired of collecting either. Baron Fig also launched their own quarterly subscription service for their popular Squire pen, which I bought. It was a bit expensive, and I don’t know what to expect. But I guess we’ll find out together.

Additionally, more Kickstarter pens should be arriving on my doorstep this year, including the TriTac and the SQ1. And though it’s not exactly stationery related, I even backed The Fidget Cube, which I may write about here.

Oh, and I have to write the final three parts to my Nib Novice series. I’ve had a blast with it, and I’ve really learned a lot. Afterwards, you may see increased posting about fountain pens and inks.

img_6109

As for non-pen/stationery/blog stuff to look forward to in 2017. Uh… obviously, Star Wars Ep. 8. Although Logan and Spider-Man: Homecoming look pretty awesome too. And, once again, I’m excited about Game of Thrones coming back on air this summer for the penultimate season (which is good since George R.R. Martin will probably never finish writing the book series). I also am looking forward to a new season of Curb Your Enthusiasm, which is back after a six-year break. And, if I’m lucky, I might finally be able to get my hands on an NES Classic.

Overall, I think a lot of awesome stuff will happen in 2017, and I hope it makes for a wonderful year for everybody.

Notes on Dead Print Field Notes

“Posters are delicate things,” writes Aaron Draplin. So what is a poster-maker to do when misprinted, damaged, and test prints begin to pile up in the workshop? For Draplin, the creator of Field Notes, the answer couldn’t have been too difficult: use these ‘dead prints’ to make pocket-sized memo books.

img_6026

So, in October of 2015, limited edition “Dead Print Field Notes” were made for three poster-producing companies: Draplin Design Co., Mondo, and Landland. Between all three companies, only 3,000 3-packs were made, and with images of these notebooks sporadically popping up on Instagram and Twitter, these Dead Print Field Notes became somewhat of a craze.

Although the notebooks contain basic 50# blank paper, the unique covers, made from assorted posters, spurred on the collectors. Getting my hands on all three was no easy task. I’ve seen sealed 3-packs occasionally sell for over a hundred dollars on eBay (much, much more than I’m willing to spend), but with a bit of patience, I found them all individually for reasonable prices.

img_6023

The DDC Dead Prints were initially only sold at a pop-up shop run by Aaron Draplin in Portland, but eventually a handful were sold through his website. There I was able to grab a couple 3-packs before they sold out. Similarly, the LandLand Dead Prints were briefly available on their website, but many of the shipments were lost in the mail, including mine. Fortunately,  the good folks at LandLand were able to ship out replacements a couple months later.

The Mondo Dead Prints were trickier. They were initially distributed only at MondoCon, the company’s convention, but some extras were sold online. These became sold out lightning-fast, well before I was able to add a pack to the shopping cart. But, after months of scouring eBay, I eventually found a single Mondo notebook for a relatively low price (never mind that it’s mostly just a white notebook).

img_6024

After some use, I wouldn’t hesitate to say that these Dead Print Field Notes are one of my favorite editions. Aside from the special cover-paper, there’s no difference between this and a standard Field Notes notebook. However, with their wild designs and the gold-foil used for the cover text, I’ve received more comments/compliments on these notebooks than I have while carrying around any other Field Notes edition. It’s really a shame that these notebooks are so rare, but maybe, if we’re lucky, Draplin, LandLand, and Mondo will continue to damage enough posters in order to justify another run.

Additional Notes

  • The Mondo Dead Prints have no “Practical Applications” list, but a musician/artist roster for their convention instead. Both the DDC and Landland books, however, do have “Practical Applications” lists. My favorites: “02. Thick Lines Tinkerings” (DDC) and “16. Hashtag Plans” (LandLand).
  • Even the belly-bands seem to be made of inside-out posters.
  • And speaking of Aaron Draplin, I wrote a review of his book. I liked it. It’s worth checking out if you like those DDC Dead Print designs.